In Your Day is My Night, a collective of Chinese performers living in New York City explores the history and meaning of "shiftbeds" through verité conversations, autobiographical monologues and integrated movement pieces. On screen, the seven performers play themselves, while living together with a young Puerto Rican woman in a shift-bed apartment on Hester Street in the heart of Chinatown. The concept of the shift-bed allows us as viewers to see the private become public, as the bed transforms into a stage for our characters to reveal the struggles and joys of their lives. Your Day is my Night is a provocative hybrid documentary that looks at issues of privacy, intimacy, and community in relationship to this familiar item of household furniture.
Lynne Sachs makes films, installations, performances and web projects that explore the intricate relationship between personal observations and broader historical experiences by weaving together poetry, collage, painting, politics and layered sound design. Lynne co-edited the 2009 Millennium Film Journal issue on “Experiments in Documentary” and co-curated the 2014 film series We Landed/ I Was Born/ Passing By: NYC’s Chinatown on Film at Anthology Film Archives. Lynne has received support from the Rockefeller and Jerome Foundations and the New York State Council on the Arts and residencies in both film and poetry from the MacDowell Colony. Her films have screened at the New York Film Festival, the Sundance Film Festival, Toronto’s Images Festival and Los Angeles’ REDCAT Theatre as well as a five-film retrospective at the Buenos Aires Film Festival. The San Francisco Cinematheque recently published a monograph with four original essays in conjunction with a full retrospective of Lynne’s work.